designation from the base engine, and simply decaled the now non-functioning shaker with “455”. Restore the interior of your 1970-73 Pontiac Firebird with 3 Point Retractable Seatbelts that features a metal Starburst Push Button and fits for bucket. Horsepower for the base L75 455 was rated at rpm and 370 lb/ft rpm. The base 455 produced 40 fewer horsepower than the round port Super Duty 455. The 1973 Trans Am engine displaced 455 cubic inches in the base L75 and the Super Duty LS2 option. There were extra steel reinforcements in the bumper and core support to the fender. The 1973 Firebird also had to meet the new safety and emissions requirements for 1973. The new “Horse Collar” optional custom interior featured new seat coverings and door panels. Inside the 1973, Firebird the standard interior equipment was almost the same as prior years. The “Trans Am” decals were larger than previous versions and shared the same accent color schemes as the hood bird. The new hood bird was option “RPO WW7 Hood Decal”, a $55 option exclusive to Trans Am. Other exterior upgrades included the updated more modern nose bird. In 1973, the Trans Am added two new colors, Buccaneer Red and Brewster Green. This generation of Firebirds were available in coupe form only after the 1969 model year, convertibles were not available until 1989. The second-generation debut for the 1970 model year was delayed until February 26, 1970, because of tooling and engineering problems thus, its popular designation as a 1970½ model, while leftover 1969s were listed in early Pontiac literature without a model-year identification. THESE ARE THE BUSHINGS THAT SEPERATE THE BUMPER FROM THE MOUNTING AREA. The name "Firebird" was also previously used by GM for the General Motors Firebird in the 1950s and early 1960s concept cars. THIS IS A NEW FRONT BUMPER STABILIZER BUSHING FOR. This also coincided with the release of the 1967 Mercury Cougar, Ford's upscale, platform-sharing version of the Mustang. Designed as a pony car to compete with the Ford Mustang, it was introduced on February 23, 1967, five months after GM's Chevrolet division's platform-sharing Camaro. The Pontiac Firebird is an American automobile that was built and produced by Pontiac from the 1967 to 2002 model years. THIS 1973 PONTIAC FIREBIRD IS LOCATED IN: BRIGHTON, CO 80603
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This is how these two bones should be set up regardless of how many other bones you may add in more complex products. You will also note that the AttachmentNode bone is parented to the AttachmentRoot bone. You will note that AttachmentRoot and AttachmentNode are both in the exact same location. IMVU has called the master bone AttachmentRoot and called the second bone AttachmentNode. One will be your master bone (or, the top of the hierarchy) and one will be the bone you actually weight the mesh to. These bones/nodes can be called anything you like. The most simple Accessory skeleton must contain two bones/nodes. Click here for more information.An Accessory skeleton can be very simple. Please note that this site uses cookies to personalise content and adverts, to provide social media features, and to analyse web traffic. Therefore it has been found that Picasso's name does not infringe on any copyright by becoming a trademark of his own distinct artistic style. It also protects the identity of the artist who created it. So the name Picasso actually protects the work from being used illegally. For example, in some famous paintings, there are clear indications of Picasso's Picasso style - but when you see the painting, you cannot exactly say what style it belongs to. Names of things that have been made into works of art can actually be copyrighted - so long as they are descriptive enough of the work. For instance, if you want your work to have some recognisable characteristics, then 'Aristotle's' is a good choice because it sounds like a name of an area of study and not of a person. Similarly, names that communicate ideas and concepts easily can be chosen. There are different ways of naming things that have special meaning to an artist - e.g.Aristotle's 'Socrates' becomes the name of a philosophical essay written by the Greek philosopher and teacher. The aim behind choosing aesthetic names is not to name something that has already been discovered, but to find names that evoke feelings, and so become trademarks for visual artists. They can also be used to label parts of a work - for instance a frame can be called the 'central image' and the rest of the work the 'fill images'. Aesthetic names therefore describe a general idea or feeling attached to a specific image or painting. For example, in painting, the term 'theme' refers to a particular design or style. An artistic name is a description of an element or setting with which a work of art projects. There are many categories of names used in art, especially in the visual arts, such as colors, themes and environments. A tattoo is supposed to represent YOU, not your middle name. You don't want to get an 'anny piece' tattoo if your middle name is Smith. I personally would avoid names that are too general, unless they have some sort of significance behind them. I have had friends that have had the same tattoos as I have and they did not appreciate it at all. There are lots of good reasons to use anatomical names in your ink, but it's just something to consider. This might be a name that someone gives to a fictional character, but it also works well in a tattoo. A more generic example would be "Bassai Bob". The full name, Kung Fu Panda is "Kung Fu Panda" and it can also be a name that people give when first introducing themselves. This is not meant to be offensive, but the term itself is quite fitting given the content of the original animation. If you have a buddy or two that has the same tattoo as you, it can save you a lot of hassle when trying to locate the exact design you want.Īn example of an anatomical name would be "Kung Fu Panda". Why would anyone want their tattoo named after them? Aside, from the fact that it makes you feel special (which is what they are trying to do) or the fact that you're going to have a hard time getting rid of it in the future (which we know how difficult that can be), having a specific name for your ink can also help when trying to find matching tattoos later down the line. In the world of tattoos, sometimes we hear terms like 'Sailor Joe' and 'Bassai Bob', however, those aren't actually tattoo names, but they are names used to categorize an individual's tattoo. Public string LoadGPXWaypoints( string sFile) / Normally, this would be used to populate the / string containing line delimited waypoints from / When passed a file, open it and parse all waypoints from it. / Load the namespace for a standard GPX document XDocument gpxDoc = XDocument.Load(sFile) Private XDocument GetGpxDoc( string sFile) Still it's crazy fast and I'm loading a lot of data in only a few lines of code. The biggest issue for me with Linq is the inability to debug line-by-line. Also, when working with Xml, remember that an element that doesn't exist results in a null object reference so you'll see in the code how I handled that for each element. My initial run at this netted attribute values but no element values which was really frustrating. It's really pretty straight forward once you realize that you need to pull in the namespace object and then include it in each call to an element. The original file had about 6,500 lines in it. At the end of this post is a well formed (but incomplete) GPX file. This gets it into the standardized format that nearly all other GPS units and mapping software can use and I'm ready to load my data. I load this file onto a machine with Garmin MapSource and immediately save the file as a GPX. My Garmin saves files in a GDB format which is proprietary for the product. When loaded, it will direct you to each point along the route in the appropriate order. It's essentially a list of positions you build by looking at a map or a file you get from someone else's track. RoutesĪ route is what you load into your GPS. When I get home I have a complete listing of a few hundred points on my route, depending on how far apart or how long to wait I've preset my GPS to mark between saved track points. GPS antennae have come a long way in the last few years and my inexpensive Garmin eTrex keeps pretty accurate markers even when I'm in a deep draw. When I want to mark out a trail for users of my application, I set up my GPS on my bike and just go for a ride. So when you get to the suspension bridge, mark a waypoint and you can find it again later as well as tell everyone else about it. In general, the major things that you will work with are: WaypointsĪ waypoint is a specific position that is manually marked by a user for future reference. A GPX file can contain a lot of different kinds of information. Return (self.read(*args, default=default) if count = 1 elseįile "C:\Python27\lib\site-packages\guitarpro\iobase.GPX is the standardized file format for GPS file exchanges. Return self.readString(size, self.readByte())įile "C:\Python27\lib\site-packages\guitarpro\iobase.py", line 47, in readByte Self.version = self.readByteSizeString(30)įile "C:\Python27\lib\site-packages\guitarpro\iobase.py", line 97, in readByteSizeString I get the following error from ReadSong() ( documentation here): Traceback (most recent call last):įile "C:\Python27\lib\site-packages\guitarpro\gp5.py", line 62, in readSongįile "C:\Python27\lib\site-packages\guitarpro\iobase.py", line 114, in readVersion Song = 5File(parsed_song,encoding='UTF-8') Parsed_song = guitarpro.parse('wet_sand.gp5') I have been trying to use the library PyGuitarPro, but get stuck: import guitarpro Further, i hope other effects can be parsed from the GuitarPro files also, such as bends, slides, hammer-ons etc. I want to parse the notes and the duration of the notes into e.g. These files essentially contain the sheet music for songs, but contain more information than e.g. I'm trying to read GuitarPro files into python. I'm new to writing questions here, so please feel free to point out how i can improve the quality of future questions!Įdit: More code included as was asked in the comments Making halftones in color involves several colors blending, and the results can be trickier to manipulate. Even though it says "Color Halftone" I recommend starting out creating these in black and white, simply because it's easier to just keep track of how those two colors behave. Having these selected, I go to the Effect menu and choose Pixelate, then Color Halftone. I start by selecting all the objects making up the skin shading. In other words, it requires some trial and error. Which settings are best to use depends on what type of image you're after and what size and resolution you are working in. While turning an object into grayscale is simply a push of a button, getting the desired look requires the right settings. This part is easy, but a little demanding as well. Now we have a pretty decent grayscale image, but we want to have it in halftones. By limiting yourself to just a few shades, you minimize the risk of having it look chaotic and overworked. When shading the tongue, I make a dark to medium gray object with the Pen Tool, and then I add points of lighter gray with the Mesh Tool.Ī good way to keep control over the overall look of your image is to make a grayscale palette from which you pick your colors. To add to the shock of the expression, I add extra shadow underneath the eyes, which can have a scary effect. When shading the skin, I try to keep in mind where the light source is coming from in the picture-from the left in this case-and try to break the shapes down that way. Since her hair is covering part of her face, I add a large shadow underneath the big lock of hair. Once the hair is done, I add the shapes for the lips and irises as well. To get a gradient in black and white, simply press the Period key on your keyboard. Make two shapes, one for each of the sides the hair is parted into. Use the Pen Tool to create the shapes of the hair. I have differed from the sketch in a lot of places, but now I feel it has the energy behind the expression just right, and it is ready for the next step. I find that a lot of the energy from the sketch can get lost when inking it, so my method is to not put too much effort into the sketch, and use it as more of a rough guide than a precise map to follow. I like to make pretty loose sketches and do the real defining during the inking process. You can find tips and tricks on creating various brush types here at Envato Tuts+, or you can check out some of the vector brush packs available on Envato Market. As usual, I like to use my comic style custom brush from a previous tutorial, but go with your own preference on what brush you use. Now I start inking the loose sketch with the Brush Tool. I won't be working with many of them for this one, but naming your layers is always a good practice. I open a new document in Adobe Illustrator and import the sketch by going to File > Place.įrom there I double-click the current layer the sketch is placed on, check the Template box and press OK. I've made a sketch of a shocked woman, as a reference to pop art, which many associate halftones with. We first need to create the artwork which the halftones will be applied to. Looking for halftone resources for Adobe Illustrator? Check out this Halftone Brushes & Patterns pack over on Envato Elements, where you can download unlimited Adobe Illustrator resources (and much more!) for one monthly price. How to Create Halftone Effects in Adobe Illustrator With the Learning Management System (LMS) that we use. We use, internally at CERN, the free edition of Active Presenter and would like to know if we could buy one license of the "Pro" version to test its integration You can try all the features using the Free edition, it just adds watermark when exporting the contents (to denote that the content is for trial purposes only). Please note that you DON’T NEED to purchase a Pro license just for the testing. You can also see what types of elearning contents you can create with ActivePresenter Pro at: To test it you should export to HTML5 with SCORM enabled. Yes, ActivePresenter supports both SCORM 1.2 and SCORM 2004. When deleting parts of the video you do not desire: In order to select more exactly the range that you want to delete, hold Ctrl while scrolling the mouse up and down to zoom in and out the Timeline ruler.Reading off a teleprompter will help you with your timing, e.g not going too fast or too slow.This is done by clicking on Record Settings, then on Cursor, and then choosing the sound (or no sound) you want. With ActivePresenter, you are able to change the mouse click sound.Tips to know before using ActivePresenter: ActivePresenter offers many different types of video formats (MP4, FLV, AVI, WMV, WebM, MKV), choose MP4.Step 4: Export Final Projects to Videos. To have any range of the video removed, just select it and click the Cut Range or Delete Range icon on the Timeline.
It’s a great way to create clothes that fit better. Make an easy pants pattern based on your body measurements.Join the Email List □**Ĭustom-fit wide-leg pants with pockets Images courtesy of Creative Bug. And it’s even easier to make thanks to the video course. These are loose-fitting pants with no zips or buttons to install. Closed caption text and a transcript are included. Instructions included? yes, video instructions.Fabric: medium-weight fabrics with no stretch.This is a really easy style to make, and the teacher walks you through every step. Add extras like pockets, a drawstring waist, and ruffle cuffs.Watch online course now on Creative Bug (printable pattern included) Beginner-friendly? I think it suits beginners with some experience.Įasy pull-on pants with optional pockets, ruffles, & drawstring Images courtesy of Creative Bug.For example, cotton canvas, hemp, denim, or wool. Fabric: medium to heavyweight fabrics with no stretch. Large, crescent-shaped pockets run down the side of the pant legs.
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